In honor of this weekend’s screening at Scarecrow at Midnight at the Killuride film festival at Myrtle Beach we’ve decided to feature a rare slasher gem from the golden age of slashers – the 80′s. This week it’s the little known The Slayer (1982) featuring a killer that would give Freddy Krueger a run for his money. I mention Craven’s creation for a reason because during the time period that Craven’s script for A Nightmare On Elm Street made the rounds through every studio in Hollywood – it was rejected by a certain studio which then promptly turned around and commissioned a script with elements lifted directly from Craven’s script. The tale would eventually be told as A Nightmare On Elm Street finally made it to the screen in 1984 thanks to New Line Cinema and The Slayer faded into little known obscurity.
Streebo made the trip out to the theaters to watch the latest horror remake from the Hollywood machine and is proud to say that he had a howling good time with The Wolfman!
Part one:
Part two:
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From The Dig by J. Riddle: Roger Corman has been called a lot of things. Shrewd. Miserly. Maverick. He’s been given titles like King of the Cult Film, King of the B-Movies, and the Pope of Pop Cinema. The last is probably the most appropriate, and not just because it sounds cool and Corman says he likes it. For over 50 years, Corman’s particular breed of low-budget, action-oriented, socially conscious exploitation fare has graced the cinema, to the persistent delight of audiences and, in turn, to his significant profit. He’s brought his talents to bear on every genre under the sun, and has even invented a few of his own. He has a finely-tuned eye for talent–it’s only a little exaggeration to say it would be easier to list the big name Hollywood directors, writers, actors of recent decades who didn’t get their start with Corman than those who did.